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You Can Do Magic - Various - Tools For Dj 001

26.01.2020 Totaur 8 Comments

House Music Is Love. It's A New Day. Djaimin vs. Senssual ADE unmixed tracks. Miami Uncuts Fries With That. Mark O Mariotti - "R. Monthey Grooves. David Ropa - Stormy Night instrumental. Elly - All Eyes On Me extended version. The Snake - Thunderbolt Blackout extended version.

Dave Rodgers - Little Cowboy. Water Queen - Fire extended version. Oldtiffie, can't wait to see your build photos. Looks like a fun project. For those who may want a little inspiration in the department of what to do with a sine bar, I present one of Widgitmaster's regular CNCZone contributor many fine setups, this time with a sine bar: He's making the support arm for a CNC gantry router.

Cheers, BW. This is a great thread. The tool I made for cutting tapers has two. Like a cheap sine plate built in. In pic the two holes are used to swivle on a 5 inch arc to set angle. Worked good for everything I used it for. It went missing a couple years ago and I was just about to plunk down some cash and buy new when I checked ebay. Found them in droves cheap. I just need one more tool,just one!

That made me giggle. And oh, one of the most useful gizmos I've come across for Sinebars is this gizmo - admittedly it's overpriced, but it's easy enough to make with a surface grinder. Let's face it, most of the time, we're using angles that are common - 45, 30, 15, All rights reserved.

Yes No. Then dip again. Let dry overnight, or for a minimum of 6 hours, for best results. When the coating gets grubby, or if you decide you don't like the coating for the rings you're using, simply pull it off. If your Tool Magic is thick, instead of dipping the pliers, we recommend using a shiskabob skewer or similar utensil to spread on a thin coat, making sure to cover the edges well.

After letting it dry for a few hours, apply a second thin coat. Understanding Ring Size. So we're gonna compress. Let's see what happens on the bottom.

I forgot which one it is.. I'm actually gonna raise it. Now, Just how much is the tom bleed ruining the rest of the set? Let's find that out.

Then we decide what we do. Who wants to gate them and go back to the '80s? We'll keep the toms! What we're gonna do is start a cool little trick that will save you a lot of time. And then, I'm gonna turn that off. There's a method to this madness. Now, why? What I'm gonna do now is, I'm gonna select all my VCAs and put them together and you might be wondering still 'why would he make a group for one track?

Let me show you! I'm gonna switch to the screen.. Which is pretty awesome. There's a channel window, so if I select the kick, for example, I can go to the channel and everything related to that channel is now available so Inserts, Inputs, yes, Inserts! For example, if I select the Bass Drum Sub, right here, I can look at the different inserts on it, I can hit the channelstrip and the controls of the channelstrip are here, and a lot of it is actually very useable a lot more useable than any of these apps I've seen before.

And it works! It works! And it's fast! Crazy fast.. Let's go back down to 3dB. So if I go to vocal, here.. And the other thing that's fantastic is the soft keys and MemLock. Now, that is so good. I don't know.. So, let's go back to the mixer and to VCAs and listen to our bass and drum say on verse 2. This is the top: nice and mellow, and this is the bottom. Let's high pass this, 'cause I heard that sub and that bothered me.

I can hear the bass drum bleed. Let's put some reverb on this piano! Oh, we have one! Copy-paste is a beautiful thing. It's nice..

I think it takes over because there's a bit of bunching up in the low mids. So, let's see.. Let's probably do this same thing on the other side, more or less.. I don't wanna go further because I will emasculate the piano, which is not the point, here..

So let's add some of that Space on those drums and see if that works. Here you go. So maybe we need it, maybe we don't. It's not because it's there that we have to use it, and then..

Let's hear it. We won't need a DI, bye. Ok, let's see this one guitar, here. Let's use that Black Spring because it's quite good! This sounds like a spring.. Ok that's fun. I'm gonna high pass it a little. Let's see in the context. This is super useful: Pro Tools has 2 group systems. And then I'm gonna select all 3 and I'm gonna assign a channelstrip to all 3. Now, if I have, because of the group settings I've just set if I change something on one it changes on the other.

So let's see.. Let's see.. I'm gonna slow the attack of the compressor down We have the guitar on the left well.. A little space.. Why don't we clear some of that mud that you hear, right? And see what happens after that.. Let's start with the vocal. That's more open. That sounds right. Stay with me! So, I wanna rename this Space, so now whatever reverb I choose here is gonna get applied to what I had before and so, we're gonna switch to D-Verb let's see if we can get something more satisfying.

I like that.. And then this one is gonna get called 'Delay' I gotta send it to the sum.. Make it yellow. I love it. Add the reverb.. Let's try this one. Let's mix it with the other one, see if that works.

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