Dorel Cosma and his team have created a bridge between the past and today via their Romanian folk dances. We watched them and came to an understanding that art and music can train and tame this world. Folklore is a hope, and it means to be the history of a given culture.
But if there is no concern about the future, then we have an issue here! Romanian folk dances have become very versatile in the daily life through the festivals spread out to many countries… I could not help but think: The system produces only for an average person.
They opened their houses and their souls, and shared their dinner tables. Our travel enriched all of us. One sentence stuck on my tongue. Maria, Mariana, Aurel and I were repeating it frequently when we were in Turkey: Thought to be deliberated properly; Words to be said well; destineliterare gmail.
Destine Literare Work to be done better… Whenever I use these words borrowed from Zoroaster, my body responses to them very well. Otelimiz Bucegi Resort Biz direk Poianaya gidiyoruz. Masada Gittik, gittik O da ne?!.. Neden sevindim bilmiyorum ama sevindim. Destine Literare Folklor umuttu. Mutlu olduk De ce am amintit toate acestea? Prigonit politic, alege exilul. Pentru noi, el este un document psihoetnic memoria originii. Conectarea la origini este un fapt de putere.
Dar efectul este bipolar. Show, cu aprecieri elogioase la adresa poeziei lui Eminescu; o introducere de N. Ce suflet trist Triste, quid cor et sine sensu Destine Literare Immobili luto, Ut iterum sperat post Tantas illusiones? Non sentit nefastum ducere Pondera semper? Apportate me sancto vobiscum Aequora maris!
Printre traducerile mai recente, amintim pe cele ale lui Klauss Hetmann. Poemul Memento mori este expresiv tradus de Dieter Paul Fahram. Noi vom aborda numai un aspect. Aflase de poet de la prietena ei mai mare, Maitreyi Devi. George Anca. Liiceanu pe H. Patapievici l-ar fi consultat pe Eugen Simion.
Patapievici, Politice, destineliterare gmail. Autograf, , Marin Sorescu, La lilieci, Ed. Hai, vino! Te rog eu, vino! Hai, vii? Iar de aici, drama! Destine Literare — Dar finalul? Cu toate astea, nu! Nu cred! Asta a fost tot. Am uitat absolut totul. E tot ce-mi mai amintesc.
A fost superb! L-au imobilizat. De la anticii greci, la filosofii germani, din sec. Albatros, , ed. Destine Literare Cuprinsul.
Deci, cui prodest?! Dragomirescu vezi Mica enciclopedie a figurilor de stil, Buc. Maiorescu din vol. Acestea fiind scrise! XXV Contrapupatul. Destine Literare poet.
Ele sunt elemente demne de invidiat ale liantului din carte. Mann, N. Oameni sau fiare? Destine Literare Sibiului. Ea a venit din Ardeal. Fragmentele au fost selectate de Prof. Marian Barbu, fost student al Acad. Cu cele mai calde amintiri. Halal, puiule, halal! Vrejii se-ncovoaie. Ptiu, plesni-le-ar creasta! Sunt pionier. Azi nimic nu e exclus — Toate sunt cu fundu-n sus. Oricum, erau prea uzate. Destine Literare Adrian Bucurescu, poet, eseist. Gheorghe Bucurescu.
SIngur, Ioan Barbu. Melania Cuc. Ave Maria! Recunosc, printre alte multe lipsuri De ce nu ar fi? Picioare frumoase are Sau mai bine nu! Ar fi Dar ce putem face noi? Baia Mare 20 septembrie Herald, Buc. Destine Literare accident. Kim Jong Il are 30 de milioane de ostatici. Saddam Hussein avea 25 de milioane. Tematicile abordate sunt dintre cele mai diverse.
Un soare Nici nu era foarte departe! Ce face frica din om!? Acesta nu mai Au prezentat Prof. Editura Antim Ivireanul din Rm.
Am folosit frazeologia timpului. Presat de sovietici, la 6. La mijloc era un mare troc. Carmen Doreal este autoarea a trei volume de poezie Vernisajul iubirii, , Ed.
Acum, nu! Suntem doar buni colegi. Bancurile sunt spuse spre a ne distra. Ce fac eu, e treaba mea, ce faci tu, e treaba ta! Legal, nimeni nu are dreptul. Nici nu am nevoie. Nu e chiar ce crezi tu. Nici un doctor…nimic! Chimia organismului. Ce timpuri, ce moravuri!!! Grangurul comunist S. Republica Moldova 14 ianuarie Destine Literare poiana mea cu flori. Einstein, Shakespeare, Villon, Z. Sitchin, U. Eco, L. Baconsky, M.
Corabia nebunilor, Corabia lui Sebastian etc. Sunt de recitit Freud, Jung, Eco, Patapievici Ura de sine O cu totul. Ea consemneaza, cu o anumita scrupulozitate, evenimentele zilnice, care se deruleaza intr-o alerta inconfortabila pentru protagonist: amintiri vii si presante, efortul continuu de adaptare, bucuria cuvantului liber ca o revansa fata de vechile ingradiri, analize lucide de situatii, reconstituirea unor intamplari semnificative, reflectii asupra deontologiei medicale, punerea sub intrebare a unor comportamente, consideratii asupra libertatii ca principiu vital, sindromul afectiunii familiale, implicatiile responsabilitatii, veridicitatea.
Cartea lui Corneliu Florea contine o filosofie practica a ingemanarii trecutului cu viitorul. Este radiografia unei experiente si experienta unei radiografii.
Calatorul a devenit filosof si filosoful l-a nascut pe literat Au trecut 26 de ani Din care se vor rezidi Daos era fiul Fig. Muntar, Op. I, pag. Olariu Arimin, Op. Destine Literare Istoricul german C. Obiectul din imaginea de mai jos Fig. Eliade, op.
El a fost desenat cu aripi de aur ca simbol al Timpului. Imaginea de mai jos Fig. Olariu Arimin, Simboluri concept. Olariu Arimin, Chemare la neuitare, www. Olariu Arimin, Simboluri concept 40 E.
Olariu Arimin, Simboluri concept 42 Ibid. Ignatius Donelly, Atlantis, the Antedeluvian World, Olariu Arimin, Inca, studiu internet, www. Facerea 3, Kernbach, Op.
John Tzetzes, Chil. De Nat. Opera, vol. Destine Literare Fig. Olariu Arimin, Simboluri concept 64 C. Steagul Derafs Kaviani Fig. La Aurel V. David, Stindardul dacilor I. David, Op. Severus l-a impus ca drapel al cavaleriei. Acesta era obiceiul draconarilor dahi. Capul din aliaj de cupru are dimensiunea de 30x12x12 centrimetri.
Quicherat et A. Daveluy, Dictionnaire latin-francais, Paris, , p. Dragan, Op. Spre exemplu, pe Tapiseria de la Bayeux, Fig. Gabriela Dobrescu, Stindardul dacilor, studiu intenet 91 A.
Numele de Gog cu sens de Dumnezeu a fost preluat de slavi, sub forma Bog, de Fig. Conform lui Ammianus Marcellinus, cezarul Iulian, comandant al armatelor din Galia — dupa victoria de la Argentorate d. Roman, Op. Sigismund a fost numit la conducerea acestei cruciade.
Documentele vremii foloseau pentru ordin diferite denumiri neoficiale, cum ar fi Gesellschaft mit dem Trakchen, Divisa seu Societas Draconica, Societas Draconica seu Draconistarum, sau Fraternitas Draconum. Studiu internet, adevarul Destine Literare total al acestora ajunge la Hermannus comes Cily et Zagoriae, 3. Nicolaus de gara, regni Hungariae palatinus, 5.
Stiborius de Stiboricz alias vaiuoda Transyluanus, 6. Joannes filius Henrici de Thamassy et Jacobus Laczk de Zantho, vaiuodae Transyluani, Joannes de Maroth Machouiensis, Pipo de Ozora Zewreniensis, bani; Nicolaus de Zeech magister tauernicorum regalium, comes Karolus de Corbauia, supremus thesaurarius regius, Symon filius condam Konye bani de Zecheen, janitorum, comes Joannes de Corbauia, dapiferorum, Joannes filius Georgii de Alsaan pincernarum, Petrus Cheh de Lewa aganzonum regalium magistri, Nicolaus de Chak, alias vaiuoda Transyluanus, Paulus Byssenus, alter Paulus de Peth, pridem Dalmatiae, Croatiae et totius Sclauoniae regnorum Michael, filius Salamonis de Nadasd comes siculorum regalium, Petrus de Peren, alias siculorum nunc vero maramorossensis comes, Emericus de eadem Pern secretarius cancellarius regius et Joannes filius condam domini Nicolai de Gara palatini.
Richard Nash Omul care aduce ploaie. Ce era aia? Treaba lui, el conducea, el comanda. Cristina Pal. Eugen Evu. As it was quite a short ride, I spent it in the restaurant car, over a coffee and a beer.
A gentleman slightly older than me sat down at my table and from one word to another we found out we shared the same profession, which was journalism. The man told me an extraordinary fact that he had witnessed when taking part in a hunt, camera with him. It was the customary wild boar hunt organized for Ion Gheorghe Maurer, one of the great boyars of the communist elite, an intellectual who also knew how to have fun.
At a certain time, the beaters brought in the shooting line of the hunters two wild boars, running one after the other. The hunters fired their shots, the first wild boar fell and the other suddenly stopped and stuck its snout in the hairs of the one that was down. The hunters wanted to shoot again, Maurer shouted at them not to, they got close, the living boar did not move, it was just shivering, the foresters threw a net over it and got closer.
The living wild boar was blind. This animal world does have stories and senses that give you the thrill. Premii date Armenian elegy Memory is a soft thudding of clubs. At a monument for martyrs: a chauvinism about suffering, a deep thing for deep-sea souls twisting and turning. History is a colophon: shipwrecked words stuffed in bottles drifting get help soo to no one.
We were snatched from beds or doorsteps, dragged away from our screaming mothers. God knows where all our fathers went in the old villages and towns whose names we have long forgotten in the shame of our amnesia.
We are orphans with angry eyes miserable with grieving rage cut from the womb of vanished breeds. We lived our old age first, alone in all our shared abandonment. To a chinese lover. Your words are ripe plums I suck, the juice trickling out of old orchards. As you hold me I see dancing butterflies in your dark eyes their wings leaving powder stolen from jasmine gardens.
I grow younger in the streams of your passion, as snow falls early this season. Tableta poate crea un disconfort accentuat! Mult prea devreme! Peste tot. Ca ciupercile! De tip familial! Al cui, vom vedea! O fi din cauza vinului fiert?! Cu mirodenii de import! Vorba lui MB. Parlament nu mai avem!
De cadre. Care de care mai paranoice. Trimite mai departe! Ca urmare, doi ani am fost paralizat. Astfel eliberarea se putea realiza la data decesului. Nu ne-a spus unde mergem. Examenul n-a fost o Anul a fost un an decisiv pentru mine. Wladimir Paskievici, scriitorul Florin Oncescu, dr. S-au adunat vreo de persoane, pe un ger de C. De acord. Destine Literare de mii sau de sute de ani alte etnii.
Va fi din nou arestat. Nu vorbeau deloc. Nora a dat afirmativ din cap. A doua zi a plecat la doctor. Transferarea ei o organizez eu. Atunci , la 29 ani Sonea a suportat primul infarct miocardic. Am fost deosebit de incantat de Destine Literare Joc de copii Ala-bala, portocala, omul negru cu sucala.
Ala, balul, portocalul, are flori la hamuri calul. Nu vezi? Ala, bala, portoca In our southern autumn a lot of stars will sparkle flocks of birds will sing bridges and castles will glow. In our southern autumn Prague will conceive palms and we will conceive ourselves, kisses will never be enough.
When the stars flame out, we will twinkle with bodies and we will awake in the morning as two enamored comets. In our southern autumn we will tenderly flow as if rivers under worlds, cities and bridges and in the Prague silver dawn we will awake newly in Love.
A room. As if a whole universe, captured in the darkness. There is a cat in front of the door. Only her sparkling eyes can see in the future. Behind the door — people, enemies? Only the cat knows, but stays silent. Her eyes see beyond. Translated from Bulgarian by the author. She has been awarded twice with the Grigor Lenkov prize at the Czech center in Sofia. Her translations have been published in Literary magazine, Panorama, Homo Bohemicus and an Anthology of young Czech authors translated by young Bulgarian translators She is also the translator of several books from Czech and Slovakian language.
In , she started her doctoral studies in Comparative literature at the University of Charles in Prague. She is also an author of a number of critical studies published in Bulgarian, Czech, Slovak and Hungarian conference proceedings. Since , she has also been a regular author of the Czech electronic newspaper www. In the year of , she was also awarded a scholarship for a foreign doctoral student in Slovakia and began research at the Slovak. Academy of sciences. Her doctoral dissertation is about the comparative aspects of Czech decadent poetry and has been successfully defended in the year of at the Charles University of Prague.
She is the author of the poems' book "Invitation for a Father" Ergo, She is currently working as a teacher of French, Arts and culture at High language school in Slovakia and in the editorial board of the newspaper Sanarodnik in Bratislava. She is also a member of the Czech alliance of the journalists, Czech alliance of the translators, poetry movement Poetas del mundo and the Czech-Slovakian Association of comparative literature. The Obvious Solution. She looks at the dark surface of the mirror on the wall and then her gaze drifts toward the window.
On 5th Avenue a streetwalker in a short yellow skirt holding a broken beer bottle and looking with frightened eyes big as the sun. What should I say about this life?
I just want to write one poem that would last as long as those healed scars on her wrist. Passing By The building of the orphanage has only one window lit up; clouds of dark sheep trot upon the sky. In the distance a dog barks its way into the night.
And after that — I wish you were here in the ensuing silence. The rational, self-reflective control-system of the human mind, which in complicated situations takes over from the automatic cognitive systems to slow down decisions by logic re-evaluations, fails to function during affective reactions. Rather than criticizing the provoked emotions, it supports them. It limits itself to the information consistent with existing beliefs, for the most part ignoring those that would induce re-evaluation of these beliefs Kahneman, , European Modernism of the first half of the 20th century.
Before further analysis, it is necessary to characterize naturism, which is an idiosyncratic Slovak version of Scandinavian Neo-Romanticism or southern European regionalism and populism.
He began to work more with the character and thinking of the socalled natural character and his belief in the mysterious, super-natural, meta-physical forces of Destine Literare natural and cosmic origin. His stories brought together the common, everyday life with the sphere of mysterious, unknown forces, divine powers and super-human creatures. The result of this effort was the short-fiction debut Malka Archaic-mythical irrationalism characterizes the setting, which is usually natural and rural, with its folk culture.
Custom, tradition, fatalism and irrational perception, imagination and superstition are parts of everyday village experience, influencing and deforming this experience. Timespace comes to life through anthropomorphism, zoomorphism, personification, symbolization and mythicisation.
Neo-Romantic polypsychism characterizes character development. It reveals the positive and negative intentions in the human consciousness, the unconscious and agency. The focus is on the irrational, instinctive reactions, inherited traits and fatal passions. Folk-tale anthropomorphism affects naturistic plots. Its sources are the folk tradition, market tales, ballads, legends, folk tales, myths, the Bible.
They are characterized by fatalism, unclear, mysterious elements, personification and the folk metaphor, all of which are typical also for naturism. Although they point to various possible interpretive keys and their implications, the problem seems to persist. After all, the modernist ambiguity of meaning, lack of closure and clear meaning, was typical for art of his time Modernist art — as a reaction to Realism and Positivism — radically broke apart, deformed, and innovated previous approaches.
Instead of realist veracity, it created possible, but suggestively believable worlds. In this chaotic entanglement, scholars and recipients of Modernism seek converging intentions and signs, unifying elements, although they realize the impossibility of a single interpretation and persistent ambiguity of modernist works and movements.
It is apparent, for example, that the ambiguity and open-endedness of modernist art was motivated by, among others, irrationalism. Irrationalism increased its intensity beginning from the start of the 20th century, as noted by period scholars in the humanities and social sciences.
The same spiritual connection exists between the art and life. His essay attempts to answer the question un-answered until today how the mind is connected with the brain. How does it happen that our intentions, ideas and visions can switch on physiological processes in the brain, which can move our face or the body? The irrational pulsation of life was not only a magic version of the explanation of the dynamics of life processes, but a conviction that human existence and the natural, social and cosmic forces, their laws and ways of being, cannot be explained and will remain unknown.
Part of the psyche such as will, instinct, intuition, the unconscious were transcended by philosophy, became un-graspable sources of life. This paradoxical linking of logical argumentation with metaphysical visions is typical for Slovak naturists. Undoubtedly, Positivism and Darwinism still resonated; and Freud, in his own way, followed upon the anthropological orientation of Lessing or Herder. This is at present controversial, since there are experiments suggesting that first, certain electro-chemical processes happen in the brain, and only aftewards a conscious idea is produced Ingram, The body, biological processes, physiology and its link with human consciousness and the unconscious affected the artistic intentions of the Slovak naturists and had a significant place in their work.
In his works before , the dominant theme is the primitive instincts, while after the war it is human egoism.
The basic emotions, such as hunger, fear, love and delight, are regarded as parts of human nature. These basic emotions, which have physiological correlates, fulfil important mental functions that regulate the survival instinct and character behaviour and appear as spontaneous.
The affective reactions of the characters simplify complex situations by letting the characters create their own mental world that allows them, or even orders them to act in spontaneously.
This mental world is more acceptable and understandable than the other fictional reality. Attitudes desires, motivations, inspirations, moral and economic positions, aesthetic principles, social conventions and prejudices, private and Destine Literare collective aims and values and convictions the need or necessity of a certain act arise from the embodied human mind, either its automatic, intuitive level or an intentional regime. They rationalize our actions. If we know the reasons for our actions, we can show from which perspective it was intentional and justified.
However, an interpretation of an act in a certain perspective does not have to be justified from a different perspective. Not only character behaviour, but the entire meaning of narratives often appears as strange, illogical and even supernatural.
The reader is forced to read actively, asking about the motivations for the crime and punishment, but these cannot be analyzed outside the context of socio-cultural values, rules, assumptions, conventions, and symbols.
The reader therefore finds several parallel models of motivations, causes and effects. Mental events are not always conscious and observable. As Kahneman observes, human actions and emotions can be activated by events we are not consciously aware of Kahneman, , There are even cases in his stories when a human action is intentional, but cannot be rationally explained.
The culturally learned Contemporary cognitive research demonstrates and tests the great role of unconscious processes and its influence on our conscious decisions and actions Ingram, Among other experiments, it has been empirically confirmed that we prefer to leave responsibility for the events around us to others or to something else ibid.
We are willing to take responsibility for an event only if we did something immediately beforehand that led to this event. From a psychological perspective, making an error leads to guilt and eventually to the feeling of anxiety. Its source is the part of the brain called gyrus cinguli. Gyrus cinguli is also the source of the feeling of threatening anxiety that something terrible will happen if we fail to correct our previous incorrect action.
It sends signals into our heart, leading to a physical feeling of terror. This feeling of terror can be eliminated only through correcting our behaviour. This anxiety leads him to realize the necessity to correct his error. The anxiety leaves him and his normal perception returns. The unconscious, in the cognitive sense, refers to processes happening in our brain and body without us being aware of it; this is not the same as the Freudian repressed throughts or the latent unconscious.
Destine Literare Libor is no longer satisfied by the explanations of colliers, the intuitions of folk psychology and collective culture: the immortal human imagination, myths, superstitions, legends, old traditions, rituals, stereotypical attitudes, etc. The domain of the irrational pulsation of life is the aggression of the soldier in his struggle for own survival.
All consequences of the war and the struggle for survival lead from the low, animal instincts to higher, divine powers. Pagan gods do not denounce instinctual, aggressive behaviour or cannibalism, while the Christian God condemns this. Because he did not do anything that would directly cause the war barbarity, he does not feel responsible for the war. In the highly dramatic, existential situations, he appeals to the circumstances, higher powers, a divine game.
In both good and evil, the irrational Providence is his constant guiding power. In these cases, not only responsibility is important. An important motivation for murder is the threat of loss. The automatic, intuitive system of human mind is more sensitive to loss than to possible gain and, moreover, prefers and analyzes especially negative impulses, because these are important for survival and therefore evolution has coded them as of primary interest Kahneman, , Negative emotions are transformed into aggression.
The protagonist wants to rescue wounded soldiers. This parallel opens also moral questions. For noncognitive literary studies, this is a complex situation, because according to post-liberalhumanist literary studies with the advent of Modernism , it is inappropriate for a literary theorist to moralize. Moral attitudes are taken up by literary scholarship only with difficulties and always result in a biased perspective.
Cognitive literary research, on the contrary, do not have to argue about moral aspects of literature. It explains the link between literary fiction and human mind without moralizing, only on the basis of interdisciplinary instruments and notions about human conscious and unconscious thinking.
Thanks to this interdisciplinary approach, Destine Literare cognitive literary science can succeed also in providing psychological explanations. At the same time, it is not only a mode of transmitting information or an instrument of persuasion, as it is not merely a way of getting to know others and oneself. Literature is the vehicle of all of the mentioned human abilities, activities and expressions. It is assumed that evolution has instilled in us the effort to eliminate the unknown and the threatening.
Due to survival, we both intuitively and consciously need a straightforward, clear understanding of the world and our lives. Modern and contemporary art in general prefers this multiplicity of interpretations of the existence of the world and human states and situations. In this way, he established a fundamental openendness and ambiguity of situations and events.
In his fiction, the rational and irrational powers have equal roles and power. He did not explore their consciousness, which would require a more complex approach to character composition. Rather, he foregrounded the hidden wants and desires, instinctive, intuitive and prototypical, as the obvious, but unknowable, even mysterious aspect of the human existence. The author encourages the interpretation of characters as in many ways unconscious organisms, asking existential questions about being.
While it is playful, it is always also thoughtful. The reader is exposed not only to perceptions, observations, judgements, decisions and actions of the characters and narrators of a literary universe and the calculations of the author, but also to radical challenges to the assumptions about what is happening in the literary world.
Undoubtedly, propositional attitudes such as convictions, intentions, hoping, knowing, perceiving, noticing, remembering, etc. The human being as a free agent should be unified with his natural instincts and nervous mechanism which constantly monitors and evaluates possible danger and threat. This means that the natural foundations.
This is the natural expectation of the common reader, since all readers are the products of evolution. The cognitive experience of the world happens not only through the brain, but through the entire body.
Our experience expects clear, probable and familiar images and ideas. Nevertheless, this spontaneous behaviour of the character is not rewarded, as would be expected according to the laws of evolution. A higher power intervenes — the fate, other irrational forces, or even death and social punishment.
This is not simply about the opposition between the body and the mind. In his works until , the author creates mostly characters who act on the basis of good intentions arising from their desires and convictions.
In his post-war writing, however, a crime story or a dramatic narrative is modified due to the problematic situations of characters. These are forced by the circumstances to make a choice, although none of the options suits them, for various reasons. The analysis of unintentional processes of the human mind that destineliterare gmail. In these new contexts, the characters are often controversial. Behavioural patterns based on evolution are suddenly in some sense negative, because the character does not know all reasons and circumstances that should be taken into consideration before making a choice.
The character has tendency towards unconditional acting that is not affected by other considerations. Scepticism about own intuitions and urges is typically minimal. A character acts, or is forced to act, under time pressure even before recognizing real sources of danger. The phenomenon of selective activation priming of a certain behaviour and agency is the result of unintentional, intuitive mind that has no conscious access.
From a cognitive point of view, though, we can today point to the correlation between the ability to control emotions and the level of attention control.
The training of attentional control improves emotional self-control Kahneman, , Self-regulation comes into conflict with self-control. In this way, the in-born, inherited human urges, which are shared by all, are paradoxically Destine Literare shown as unsuitable and unreasonable.
It is not clear when one is right and when one is wrong. Intuitive and cognitive simple solutions are not associated here with positive feelings, as it does in the real, conventional life. The reader finds himself in an unknown situation that the evolution has not prepared him for.
His intuitive mind is no longer sufficient, more complex cognitive solutions are needed. Even after we finish reading his texts, the intuitive tendency to believe in his narratives is in constant tension with their probability.
Here, besides the artistic attraction and aesthetic plausibility of the fictional world, there is a stronger focus on its probability. According to the Darwinian theory, to simplify, the form of life arises from the living creatures themselves.
The form of life changes and life as a whole evolves. Laws are based on tradition and memory. Through the destiny of the mother and daughter, the author describes not just the stages in the generational succession of the family by distaff, but also captures the evolution of the cultural philosophical memory and tradition from Schopenhauer to Bergson.
It is like a transformation, growing up [ The narrator speaks about work as a creative activity, metaphorically comparing it to art, singing and dance. There is no exhaustion from work. From a cognitive point of view, we are again talking about the emphasis on the unintentional system of the human mind, in which intuition, creativity, a good mood and a feeling of confidence mutually support each other Kahneman, , DEX online Introitus — cor II.
Dies irae — cor IV. Tuba mirum — bas, cor V. Quid sum miser — cor VII. Rex tremendae — bas, cor VIII. Lacrimosa — soprano, cor de femei XI. Sanctus — mezzo-soprano, cor, Benedictus — tenor, cor XII. Ciaccona XIII. Agnus Dei — cor a cappella XIV. Communion Lux aeterna — cor XV. Moartea lui Andrei fiul cel mic al lui Taras Bulba , 2. Moartea lui Ostap fiul mai mare al eroului , 3. Intermezzo — My Bonny Boy, 3. It includes world favourites such as Valse triste and Finlandia, as well as the most recorded violin concerto of the 20th century.
It includes a symphonic cycle that has become one of the most esteemed and popular cycles since Beethoven. It includes small and easily accessible pieces — but also unique masterpieces of great depth, such as Luonnotar and Tapiola.
Sibelius wrote most of his works during the five decades from the beginning of the s to the end of the s. His stylistic development proceeds from his first exercises in the style of the Viennese classical school and early romanticism. It moves via national romanticism to a sort of neoclassicism and to an expressionist-impressionist intermediate stage.
Finally, it arrives at a renewal and crystallisation of symphonic thought, operating in ways whose significance is only now beginning to be understood in the light of contemporary scholarship. Edward Ch. Unione delle Chiese metodiste e valdesi. Care au fost culturile muzicale zonale care au contribuit la constituirea acestui repertoriu?
Pinii de la Vila Borghese, 2. Pinii de pe Via Appia La Befana din Piazza Navona — Boboteaza. Cu toate acestea, muzica sec. A fost ctitorul Templului din Ierusalim. Dear Mr. Jacob Sonderling [ At my request the text of the "traditional" Kol Nidre was altered, but the introduction was an idea of Dr. When I first saw the traditional text I was horrified by the "traditional" view that all the obligations that have been assumed during the year are supposed to be cancelled on the Day of Atonement.
Since this view is truly immoral, I consider it false. It is diametrically opposed to the lofty morality of all the Jewish commandments. From the very first moment I was convinced as later proved correct, when I read that the Kol Nidre originated in Spain that it merely meant that all who had either voluntarily or under pressure made believe to accept the Christian faith and who were therefore to be excluded from the Jewish community might, on this Day of Atonement, be reconciled with their God, and that all oaths vows were to be.
So this does not refer to business men's sharp practice. The difficulty of using the traditional melody has two causes: 1. There actually isn't such a melody, only a number of flourishes resembling each other to a certain degree, yet without being identical and also without always appearing in the same order.
This melody is monodic, that is, is not based on harmony in our sense, and perhaps not even on polyphony. I chose the phrases that a number of versions had in common and put them into a reasonable order. One of my main tasks was vitriolizing out the 'cello-sentimentality of the Bruchs, etc.
I believe I succeeded in doing so. Those bars 58 to 63 are at least no sentimental minor-key stuff. I am very glad you like the piece. I am sure, too, that you see much of what I did for the main effect by means of laying a basis with the motives.
It is such a pity that people like Saminski decline to adopt the piece for use in the synagogue, on ritual and musical grounds. I believe it must be tremendously effective both in the synagogue and in the concert-hall. Pot fi recunoscute ritmuri specifice stilurilor ragtime, clave afro-cubaneze, Charleston Ex.
Frederic D. Enciclopedie: Suprarealism. Pure psychic automatism, by which one proposes to express, either verbally, or in writing, or by any other manner, the real functioning of thought. Dictation of thought in the absence of all control exercised by reason, outside of all aesthetic and moral preoccupation.
Encyclopedia: Surrealism. Surrealism is based on the belief in the superior reality of certain forms of previously neglected associations, in the omnipotence of dream, in the disinterested play of thought. It tends to ruin once and for all other psychic mechanisms and to substitute itself for them in solving all the principal problems of life.
Retrieved , accesat III — Muzica sec. Atonality usually describes compositions written from about to the present day, where the hierarchy of tonal centers, in some cases, may not be used as the primary way to organize a work. London, Macmillan Publishers, Noul titlu al festivalului este Donaueschinger Musiktage Zilele muzicale de la Donaueschingen. Gallimard, Paris , p. Opera Wozzeck.
Serialismul dodecafonic, formularea principiilor teoretice Faza II. Sinteze serial-modale Faza V. Faza I. II, p. Biblioteca Univ. II, pp. Faza II. Faza III. Klangfarbenmelodie Melodia culorilor. Serialismul integral. Jan Gawlas, op. Faza IV. A murit la Los Angeles. Suita pentru pian op. Este respins la examenul de maturitate. Margaret Notley, , Alban Berg, and the shadow of politics: documents of a troubled year. Adagio appassionato. Trio de coarde Simfonia op.
Moare mama sa. Nikolai Zverev, fiind coleg cu Serghei Rahmaninov. Debut concertistic la Skt. Devine profesor la Conservatorul din Moscova. La 27 aprilie moare de septicemie la Moscova. Mihailov, Skriabin, Ed.
Mihailov, Skriabin, op. Apud B. Vanechkina, Was Scriabin a Synaesthete? N-a fost religios; probabil era ateu. Tabel 2. Promenade-Uvertura P1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto Gnomus l. Bogatyrskie vorota vo stol'nom gorode vo kieve, l.
Mussorgsky's piano writing in the suite is as picturesque as can be, achieving mystery, frenzy, humor, and grandeur. It is a work that cries out for orchestral color, and several subsequent composers have been unable to resist the challenge. The first appears to have been the Russian Toushmalov, but the greatest arrangement is unquestionably Ravel's. A man who would spend hours interviewing instrumentalists to discover new possibilities, yet who had a talent for absorbing different styles, he was the perfect candidate to turn the piano suite into a concerthall showpiece.
In every movement, he selected precisely the right combination of instruments needed to duplicate Mussorgsky's original atmosphere, rising to a grand and glorious finale that leaves the listener feeling as if he had traveled to Kiev specifically to stand in front of that majestic, tragically nonexistent gate. Tabloul nr. Tablourile Nr. Din Fig. Eisikovits, op. Piesa din Ex. Andante tranquillo, II. Allegro, III. Partea I, Fuga. Datele biografice, pag.
Dolmetsch Music Dictionary online Vlad, p. Vlad, pp. Simfonia Psalmilor. Neumes rhythmique Neume ritmice 4. Tabel 3: Ex. Tabel 3. Modul 2, format din 4 grupe, cu structura Ritm non-retrogradabil. Simfonia are durata aprox.
Introduction 2. Chant d'Amour 2 5. Honegger, D. Student la Conservatorul din Paris. Xenakis a murit la Paris. The Metastaseis are a hinge between classical music which includes serial music and 'formalized music' which the composer was obliged to inculcate into composition", I.
Elemente ale. Este un instrument. DEX online "But the computer has to be like a tool and not like a goddess or a god— goddess is better.
And besides that, mathematics is a matter of culture. And I think that musicians who do know about physics today, astrophysics and things like that—not at all—or the tools of mathematics, these are passed by.
By what? By the wide interests of their brains, the importance, the thinking possibilities of their brains. They don't have the mental tools to develop whatever they have. Director al Grupului pentru interpretarea live a muzicii electronice. Spiral, Zagreb. Der Jareslauf. Premiera dramei Dienstag 4 ore din ciclul Licht, la Lisabona. Muzicianul compune Cvartetul de coarde Helikopter din drama Mittwoch. Una din primele piese de acest fel cunoscute este Imaginary Landscape Peisaj imaginar No.
Imaginary Landscape No. De aceea muzicienii de la ORTF foloseau mai multe aparate mono, conectate la un sistem de difuzoare multiple. A urmat Kontakte Experimental Electronic. Da, am spus-o. You know that, don't you? For instance, the Guido d'Arezzo way of writing music, which was already in the writing of Byzantine music—after the alphabetical writing of ancient times, was a twodimensional design for the sound: pitch versus time.
And that was much before [the mathematician] Oresmus  started thinking in that way—and also Descartes with analytic geometry—so it is a fantastic step to put together two dimensions that have nothing to do together—did I say so? Yes, I did say so. They have to do with one another a lot; but as a substance, they are absolutely foreign to each other. What they have in common is the structure, the mental structure, because they are additive groups: both time spans and intervals. Sebestyen, Structura calculatoarelor, Ed.
Vine un val cu mult mai mare! Dar care sunt limitele? Este computerul inteligent? Computerul nu poate avea sentimente. A murit la 19 august , la Aix-en-Provence. Devine interesat de filozofiile extrem-orientale. Larry Solomon, The Sounds of Silence.
Totul depinde de auditor. Brian Peter George St. John le Baptiste de la Salle Eno n. Etimologic, titlul se traduce prin Forme multiple gr. William Mann, Schott, London, , p. Caracterul expresiv este melancolic, trist, nostalgic.
Perioada veche. New Orleans Revival VI. Jazz rock sau Jazz electric De ce toate astea? Psychedelic rock 3. Progressive rock 4.
German progressive. Italian progressive 6. Arena rock 2. Noul Val VII. Britpop 3. Indie rock 4. Stoner rock IX. Torres, Carol A. Aici cu sensul de dizolvat. Daniela Caraman Fotea, op. Idem, p. Robert Alan Krieger, n. Robert Anthony Plant, n. Freddie Mercury, , voce, pian Brian May, n. Au realizat 15 albume, dintre care 9 au fost considerate nr. Wolfgang Rumpf, Stairway to Heaven.
Publica, Buc. Stairway to Heaven. Dolmetsch Music Dictionary online. IV, Ed. XX, Studii de muzicologie vol. IV, op. Online Etymology Dictionary.
Beethoven ultimele cvartete , Chopin Concertul nr. Roussel, Stravinski, Erik Satie. De ce nu sunt la fel de cunoscute ca ale altora? Revista de muzicologie nr. Minerva, Buc. Strabon lat. Strabo , 63? Humanitas, Buc.
DEX online G. V, Ed. I, Ed. Academiei, Buc. III, Ed. Cartea a IV-a, paragraful Cartea a V-a, par. De acord. Herodot, Istorii, vol. Exemple preluate din Gheorghe Gh. I, op. Transilvania sec. Larousse, cronologia… op. Roberts, Istoria lumii, Ed.
Ion Grumeza, The Roots of Balkanization. Eastern Europe C. Bibliografie , p. Ciobanu, Adoptarea muzicii bizantine…, op. The Church A. Vladimir's Seminary Press , pp. III, op. IV, pp. Cosma, Hronicul… vol.
Etapa a doua. DEX online www. La mijlocul sec. Constantin C. Giurescu , Ed. Corint ; O. Valentin Balint Bakfark, , compozitor maghiar sau sas? Greff Bakfark Oprea, L.
Epoca statelor medievale, secolele 14— Ioan D. Petrescu, Pr. Sebastian Barbu-Bucur, Pr. Emmanuelle Pons, De la robie la asimilare, p.
Cartea Rom. Cosma, Hronicul…, vol. II, op. II, Ed. Repertoriul cuprindea genuri religioase misse, motete, oratorii, cantate etc. De ce hazardul? James O. Humanitas , pp. Imperial Unity and Christian Divisions. Anexarea Cadrilaterului. Giuseppe Sarti compune cu acest prilej un Te Deum. Cele mai frumoase sonate pot fi auzite uneori executate la vreunul din aceste instrumente, de doamnele moldovene X, Ed.
Teodor T. Muzeul Etnografic. Fantezie din opera Somnambula de. Exemplu preluat din Gh. Flechtenmacher, Gh. Piesele au fost compuse culese?
Burada, Elena Hora op. Burada Burada cartea profesorului univ. Mihail Cozmei, Teodor T. Compune muzica la piesele lui Gh.
Anton Pann n. Ouverture nationale moldave. Piesa nr. Ciobanu, op. Breazul, op. Sava, P. Prin decret semnat de domnitorul Al. Tabel 6. Formarea poporului daco-roman. Invazia barbarilor. Statul militar. Mihai Viteazul. Anul — Unirea Principatelor.
Epoca de consolidare. Etapa II. Repertoriul occidental este preluat identic sec. Etapa III. Etapa IV. Un asemenea exemplu este compozitorul Octavian Nemescu. Musicescu, Gh. Dima, I.
Paul Constantinescu, 4 Madrigale pe versuri de M. Dima, Liturghia Sf. Ioan Crisostom etc. Cucu, 12 Colinde populare Gh. Vieru, Scene nocturne. Cum se poate lesne observa Ex. Apud N. Cionca, op. Ultimii Alexandrescu Dintre toate, Tricolorul lui Ciprian Porumbescu a primit cel mai nedrept tratament. Felinarul doar tremura! VII, Ed. Albatros Buc. VII, op. Niculescu, p. Repertoriul occidental este preluat de compozitori autohtoni sec.
Etapa VI. Buc , pp. Discurs continuu. Discurs melodic continuu. Niculescu, Cantata nr. Sandu-Dediu, op. Invocatio , Axion , Psalmus , Simfonia nr.
Idem pp. Herman, op. Berger, Dimensiuni modale, Ed. Vieru, Cartea modurilor, Ed. VII, X V. Am inclus aici fragmente dintr-un studiu intitulat La Centenar. Ce facem? Cincisprezece ani de activitate.
Lexicon, vol. Chelaru, La Centenar. Breazul, C.