Mezzo-Soprano and Chorus: A written book will be brought forth, which contains everything for which the world will be judged. Therefore when the Judge takes His seat, whatever is hidden will be revealed. The day of wrath, that day will dissolve the world into ashes, as David and the Sibyl prophesied.
Soprano, Mezzo-Sporano, and Tenor: What can a wretch like me say? Whom shall I ask to intercede, when even the just are unsafe? Solo Quartet and Chorus: King of dreadful majesty who freely saves the redeemed, save me, O font of pity.
Soprano and Mezzo-Soprano: Recall, merciful Jesus, that I was the reason for your journey: do not destroy me on that day. In seeking me, you sat down wearily; enduring the Cross, you redeemed me: do not let these pains to have been in vain.
Just Judge of punishment: give me the gift of redemption: before the day of reckoning. Tenor: I groan as a guilty one, and my face blushes with guilt; spare the supplicant, O God. You, who absolved Mary Magdalen.. Give me a place among the sheep, and separate me from the goats, placing me on your right hand. Bass and Chorus: When the damned are silenced, and given to the fierce flames, call me with your saints.
I pray, suppliant and kneeling, with a heart contrite as ashes: take my leave into your care. Chorus: The day of wrath, that day will dissolve the world in ashes, As David and the Sibyl prophesied. Solo Quarter and Chorus: That day is one of weeping, on which shall rise from the ashes the guilty man, to be judged.
Therefore, spare this one, O God. Merciful Lord Jesus: grant them peace Amen. Offertorio Quartet: O Lord Jesus Christ, King of Glory: deliver the souls of all the faithful dead from the pains of hell and from the deep pit; deliver them from the mouth of the lion; that hell may not swallow them and that they may not fall into darkness. But may the holy standard-bearer Michael show them the holy light; which you once promised to Abraham and his seed. We offer to you, O Lord, sacrifices and prayers.
Receive them on behalf of those souls whom we commemorate today. Grant, O Lord, that they might pass from death into that life which you once promised to Abraham and his seed. Deliver the souls of all the faithful dead from the pains of hell; Grant that they might pass from death into that life. Heaven and earth are filled with your glory. Hosanna in the highest! You may have already requested this item.
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Her generous temperament sometimes led her to dramatic overemphasis and her technique sometimes failed her in the topmost register, but she was always a vivid presence, always committed to giving her all in performance. Born to a family from the province of Abruzzi, Caniglia studied at the Naples Conservatory with Agostino Roche, a famous pedagogue who trained many artists, notably mezzo soprano Ebe Stignani, with whom Caniglia would perform and record often. Roche believed that the young soprano was destined for more than lyric roles and, accordingly, trained her to sing the spinto repertory.
The opinion of each was that she should return in a half-year's time to present a more lyric repertory. At that time, she was engaged, but ironically, from the beginning was given more spinto roles than lyric.
Her debut, however, took place in at Turin's Teatro Regio, where the soprano had already been engaged for a production of Elektra. Reviews User-contributed reviews Add a review and share your thoughts with other readers.
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The E-mail Address es field is required. Please enter recipient e-mail address es.Verdi - Aida - Act I - Gigli, Caniglia, Stignani Verdi - Aida - Trio - Ebe Stignani, Beniamino Gigli, Maria Caniglia - Serafin Gino Bechi, Chorus and Orchestra of the Rome Opera House.