In , the U. Note: All shows listed are musical comedies for which Kern was the sole composer unless otherwise specified. During his first phase of work — , Kern wrote songs for 22 Broadway productions, including songs interpolated into British musicals or featured in revues sometimes writing lyrics as well as music , and he occasionally co-wrote musicals with one or two other composers. During visits to London beginning in , he also composed songs that were first performed in several London shows.
The following are some of the most notable such shows from this period: . From to , the more-experienced Kern began to work on dramatically concerned shows, including incidental music for plays, and, for the first time since his college show Uncle Tom's Cabin , he wrote musicals as the sole composer.
His regular lyricist collaborators for his more than 30 shows during this period were Bolton, Wodehouse, Caldwell, Harry B. Smith and Howard Dietz. Some of his most notable shows during this very productive period were as follows:. During the last phase of his theatrical composing career, Kern continued to work with his previous collaborators but also met Oscar Hammerstein II and Otto Harbach, with whom Kern wrote his most lasting, memorable, and well-known works.
The most successful of these are as follows:. In addition to revivals of his most popular shows, Kern's music has been posthumously featured in a variety of revues, musicals and concerts on and off Broadway. From Wikipedia, the free encyclopedia. Miss - the musical comedy Miss Springtime — contributor of two songs to this Emmerich Kalman success Have a Heart — composer and contributor of some lyrics  Love O' Mike Oh, Boy! Main article: List of Jerome Kern songs. Kern, Jerome David ". The New York Times , May 9, , p.
Pelham Grenville October 8, Retrieved October 8, See Frankos, Laura. Show tunes: the songs, shows, and careers of Broadway's major composers. Oxford University Press U. Jerome Kern", The Times , February 17, , p. Variety , Nov. Da Capo Press. Author:Jerome Kern. Academy Award for Best Original Song. Sherman and Robert B. Namespaces Article Talk.
Views Read Edit View history. Found ItOnAmazon. Copy link. My Favorite Jerome Kern Songs 1. He was. Dramatically and irresistibly beautiful and romantic! Chris Botti's trumpet playing. This timeless classic has been interpreted a thousand times, but the best so far is from a young and promisi.
Michael Buble. Listen to one of the greatest guitarists, Earl Klugh doing a solo guitar. Solo Guitar. Vocals Patti Austin's jazzy interpretation is superb! One of the finest female jazz vocalists.
Hits such as. Performed by 3 Doors Down. Violin Play-Along. Play Along. Drum Play-Along. Deluxe Guitar Play-Along. With guitar tablature. Carol, Sing-Along, Christmas. Guitar Play- Along. Guitar tablature. Trumpet Play- Along. By Simon And Garfunkel. Hal Leonard Piano Play-Along. Hal Leonard AM By Carole King.
By Paul Simon. Music Sales AM Banjo Play Along. For Guitar. Ultimate Play-Along. For Violin. For Bass Guitar. Vous y retrouverez des artistes comme Metallica, green Day ou encore Iron Maiden.
Let's Begin. Margaret Whiting. Smoke Gets in Your Eyes. Billy Eckstine. Morgana King. I'm Old Fashioned. Cassandra Wilson. All the Things You Are. Sarah Vaughan.
The Folks Who Live on the Hill. Arthur Prysock. I Won't Dance. Blossom Dearie. They Didn't Believe Me. Dinah Washington.
Likable and pretty but limited in their range. It's a musical, yes, and it gets around to real music eventually, and it's no less than Kern and Gershwin. The great song is a quiet number between them, Long Ago and Far Away.
Some of the other songs are formula stuff, and you have to hang in there. In fact, you start to realize you are being patient a lot, waiting for the movie to rise up. And there's the problem. Rita Hayworth is gorgeous, no doubt about that. But she's simply not a compelling screen presence.
I've always found myself wanting to like her more than I actually do, and this movie is no exception. She's simply not a very good actress, and she's not even a very good dancer. Good looking as she is, there's something vapid about her, and this movie suffers because of it. Grade: C-. Kelly does a great job dancing with his image but Rita steals the show as the cover girl that has to decide whether she wants fame or Kelly.
And like every Rita Hayworth movie I have to mention that she really was beautiful. The surprise in this movie is Phil Silver - as a dancer, not as a comedian. His comedy tires quickly but his dancing, while not at the level of Hayworth or Kelly, is still beyond what I remember him for. The three of them together are fun to watch. And Rita is gorgeous as always. The problem is you never get the feeling Kelly and Hayworth were really hot for each other though how anyone could not feel hot for Rita is beyond me.
If you are looking for Shakespeare, you won't find it here. But did I mention how great Rita looked? Enjoy Cover Girl for the dancing and music - the story is about as deep as a Three Stooges short. Oh, did I point out how beautiful Rita was? This is a very enjoyable, fluffy, glamorous musical from the 40's. It confirmed Gene Kelly's amazing talent as a dancer, singer, actor and choreographer.
It epitomises the exuberance and colour of the musical genre. Rita Hayworth is great as Rusty Parker- it is her picture, and her presence is always at the forefront. Her singing is dubbed, but her dancing is absolutely brilliant and she combines very well with Kelly. I think that Rita was highly underrated as an actress- she plays every scene superbly here.
Gene choreographed the dance sequences he was basically given almost complete creative freedom here , and his 'Alter Ego' dance number is amazing.
Such artistry. The plot is rather thin, yet it does have a moral. It's about the perils of quick fame and fast money, and how any happiness with only these factors will ultimately be doomed. This will cheer you up, lift you up to your feet and make you laugh.
That said, 'Cover Girl' is not the greatest musical ever produced- it has a number of flaws that must be addressed. One can say that a little bit of Phil Silvers goes a long way. His character gets tedious rather quickly. However, I was impressed with his dancing ability and how he was able to keep up with Gene and Rita. Another major problem is that too many songs are just not that great. The 'Cover Girl' number looks fantastic, but I'm not a fan of the lyrics or the singing.
I think it's one of the worst numbers I've heard in a 40's's musical yet. It stinks. The grandmother sub-plot borders on being ridiculous. But that's only my opinion. Others may like these elements. Still, apart from it's faults it's a very, very good film, much better than most of the product churned out today.
The dancing and singing is sublime, the production values are excellent, and it's mood is infectious. Incalculacable 20 April Rita Hayworth lights up the screen in this fun, fancy and delightful musical starring Gene Kelly. Rita plays nightclub dancer Rusty Parker who has dreams to be a successful Broadway star. When one of her fellow dancers says she's going to enter a Cover Girl contest, she decides to follow her dreams and enters.
She reminds the publisher of her Grandma, who he was deeply in love with many years ago. But when she finds this success, her boyfriend is not happy about it.
I had never seen Rita before this, and I am so glad I did! She has such a scene presence and is a very good actress. There are some good numbers in here, not the best of any musical but they are melodic and good to listen to. One thing I didn't like was Gene Kelly's character. He should have supported his girlfriend! But anyway, that's perhaps the only criticism I have about this movie. Cover Girl is a glorious, fluffy film - perfect escapism. Not everyone's ideal movie, but a wonderful movie nonetheless, due to Rita Hayworth's star power.
Great movie, truly impressed. Entertaining musical with Jerome Kern songs Doylenf 6 March She's at her luscious best as an actress and dancer with a pleasant singing voice from Anita Ellis and is in splendid form as Rusty Parker, an ambitious showgirl and Gene Kelly shines as her hoofer boyfriend. The film received five Oscar nominations, and it is an enjoyable backstage yarn about a girl who must decide between Broadway stardom and the hoofer she loves. Kelly had a typical role as a fast-talking dancer and there were good supporting roles filled by Eve Arden highly amusing in a tailor-made role , Lee Bowman, Phil Silvers and Jess Barker.
It was considered inventive and way ahead of most musicals of the period. An error has occured. Please try again. Best Picture Best s Movie Released in Color. Share this page:.Professional Tracks for Serious Singers: Sing the Songs of Jerome Kern. Hammerstein and Kern's popular hit, and part of the American songbook, is presented with a light and jazzy Latin feel, complete with optional instrumental parts or rhythmic accompaniment track. Mark Hayes: Long Ago and Far Away.