This is a really exciting field. It's implications are far reaching for the future. Eurock still has some, though. In the notable German electronic music label, Manikin Records, compiled all three Nightcrawlers' albums "Nightcrawlers", "Spacewalk", and "Shadows of Light" together for a double CD release.
Finally, the many who had heard about this legendary obscure but talented band could now bask in their rediscovered sonic brilliance. Initially the electronics are ethereal, setting a sonic stage of ambience and cosmic mystery with whispering tonalities and softly churning gears. Cycles of sequenced sounds emerge from these diffusive vapors, establishing a melodic presence which guides the music into even more astral territory.
Soon, keyboard chords enter the mix, enhancing the spaciness with delicate loops and heavenly notes. These elements combine with extremely harmonious results. The softer tones flourish, unfolding into long passages which evolve through the sedate accretion of textures; while the more overt riffs cavort with languid delight. Imagine a stratosphere of sound frequented by riffs in flight, some piercing the air in descent, others flowing like liquid clouds dedicated to lofty existence.
Percussives are rare in the Nightcrawlers' music. When E-perc does appear, it is subdued and functions as an equal participant, not as a guiding force.
More often than not, rhythms are generated by the use of non-percussive sounds. Once these delicate soundscapes are established as the sonic foundation, the music becomes more active with smooth riffs that squeal like cheerful cybernetic children and squirm like minnows in a crystal-clear pool. Maintaining a subdued tempo, the music seethes with restrained power as the drifting melodies spill out like a waterfall of sparkling champagne.
Dreamy is the emphasis with this melodic tuneage. These pieces create passive moods, which are then peppered with lively riffs and swooping electronic sighs. Although this music explores a very ambient sentiment, there are passages that growl with a softly dramatic nature, capturing the awe of sunrise creeping past a planetary penumbra. Tell me that. And tell me: Who will play my GameBoy when I'm gone? My ten-year plan is to complete the data collection phase by the year , and spend the next seven years developing the proper markup language to reinterpret the sounds as a binary composition.
If you don't understand my passion and the significance of my work, you probably never will. But if you do, then you've come to the right place. There is usually a waiting list to get a space which can be a drag,but it is worth it to try to get a space at the SM Hey Everyone!
Glenda L. One reason I can even continue my dream of making it big is that we rent a rehearsal space from the Sound Museum. The price can't be beaten seriously If i can afford it so can you. So don't give up on your dream just because you think you'd have no place to set up your gear. We have a fairly large group so we got a big room but if we needed to we could have gotten a smaller room for even less.
Although I have only rented from here and 2 other places, I doubt any other facility could match it. Like I said I wanted to show my Love for the Sound Museum and recommend it to any young up and comer, hope to run into you in the halls!
Just ask for Red Lips they'll know me. Sound Museum Live. The newest chapter of the Sound Museum family. Also appearing was Jeff Pearce and Orbital Decay. This double CD contains over minutes of live music from 12 renowned artists. The unique performances were culled from on-air in-studio radio concerts by some of our community's greatest talents.
The Ministry of Inside Things performed live on the The concert lasted for over an hour and touched on many of the hallmarks of spacemusic: cyclical sequencer patterns under soaring lead melodies contrasted by passages of deep synth tones and glissando guitar. Art Cohen , guitarist for The Ministry of Inside Things , took part in an in-studio interview on theSound Museum is the second studio album by Japanese music producer Towa Tei, released on May 25, Collaborators on the album include Kylie Minogue, Biz Markie, and Bebel Gilberto.. The album peaked at number 17 on the Oricon Albums Chart. By July , it had sold over , bluegrass.chartgenie.netinfo: Electronic, big beat, trip hop, acid jazz.